The poll in my previous post is still open, so take a look and VOTE! The poll is asking the question: “Is it Ok to actively study another school of ikebana?”. This question came to me by chance a few months ago. I know someone who is studying with one school of ikebana and has just started studying another, and wants to keep it somewhat of a secret. Why, you might ask, would this be kept quiet? It seems that this person’s sensei might not approve of their study of another school. So I was very curious about why that might be. I know lots of people who have have studied at least two schools, some have even gotten certificates from multiple schools. I started asking around and found that people were either very open to studying another school or very devoted to their current school. Perfectly understandable responses in my opinion.

Then I found MY answer to this question, from the So magazine, Volume 67, November-December 1987 in an article by famed Sogetsu artist and teacher Norman Sparnon:

“It was classical Rikka of the Ikenobo School which next took my attention. On receiving my Sogetsu Diploma I asked Mr. Sofu if I should study this classical style. He said “Yes, it will be good for your technique, and I will introduce you to a good teacher.”